"They Bite" by Anthony Boucher

" Legs, arms, thighs, hands and feet of men, women and children were hung up in rows, like dried beef" - Perhaps a thousand victims.  (The legacy of Sawney Beane)

Ah, now that I have your attention, it's time for a Christmas bed time story.  Well, if Charles Dickens can haunt Ebenezer Scrooge with a visitation from the ghost of Jacob Marley...I have something to inspire your own nightmare.  And you get some research with it:  Go look up (1) Sawney Beane, (2) Procrustes--and Polyphemus, and (3) the tragedy of the whaling ship Essex.  Sawney and his family (pictured above) and Procrustes are mentioned in this story--so that's relevant (and it pays to know your history and Greek mythology)--but the Essex is a true American tale of survival--you might call it the seafaring version of the Donner Party.  Horrifying indeed.  Let's call this post a variation of "one man's meat is another man's..." Oh dear.  That was a dreadful quip.  Ahaha.

Once again, here we are in the Land of Cause-and-Effect. And here, a man makes a decision to take the life of another. And of course, in the land of C/E, there is always a price to pay. What Personal Motivating factors inspired him to seek out his destiny and the fee that comes with it, and of course, is this reasonable to expect for his choice? So: here's Mr. Anthony Boucher once again to remind us that greed and murder...will come back to bite you.

"They Bite"

by Anthony Boucher

There was no path, only the almost vertical ascent. Crumbled rock for a few yards, with the roots of sage finding their scanty life in the dry soil. Then jagged outcroppings of crude crags, sometimes with accidental footholds, sometimes with overhanging and untrustworthy branches of greasewood, sometimes with no aid to climbing but the leverage of your muscles and the ingenuity of your balance.  The sage was as drably green as the rock was drably brown. The only color was the occasional rosy spikes of a barrel cactus.

Hugh Tallant swung himself up onto the last pinnacle. It had a deliberate, shaped look about it—a petrified fortress of Lilliputians, a Gibraltar of pygmies. Tallant perched on its battlements and unslung his field glasses.

The desert valley spread below him. The tiny cluster of buildings that was Oasis, the exiguous cluster of palms that gave name to the town and shelter to his own tent and to the shack he was building, the dead-ended highway leading straightforwardly to nothing, the oiled roads diagramming the vacant blocks of an optimistic subdivision.

Tallant saw none of these. His glasses were fixed beyond the oasis and the town of Oasis on the dry lake. The gliders were clear and vivid to him, and the uniformed men busy with them were as sharply and minutely visible as a nest of ants under glass. The training school was more than usually active. One glider in particular, strange to Tallant, seemed the focus of attention. Men would come and examine it and glance back at the older models in comparison.

Only the corner of Tallant's left eye was not preoccupied with the new glider. In that corner something moved, something little and thin and brown as the earth. Too large for a rabbit, much too small for a man.

It darted across that corner of vision, and Tallant found gliders oddly hard to concentrate on.  He set down the bifocals and deliberately looked about him. His pinnacle surveyed the narrow, flat area of the crest. Nothing stirred. Nothing stood out against the sage and rock but one barrel of rosy spikes.

He took up the glasses again and resumed his observations. When he was done, he methodically entered the results in the little black notebook.

His hand was still white. The desert is cold and often sunless in winter. But it was a firm hand, and as well trained as his eyes, fully capable of recording faithfully the designs and dimensions which they had registered so accurately.

Once his hand slipped, and he had to erase and redraw, leaving a smudge that displeased him. The lean, brown thing had slipped across the edge of his vision again. Going toward the east edge, he would swear, where that set of rocks jutted like the spines on the back of a stegosaur.  Only when his notes were completed did he yield to curiosity, and even then with cynical self-reproach.

He was physically tired, for him an unusual state, from this daily climbing and from clearing the ground for his shack-to-be. The eye muscles play odd nervous tricks. There could be nothing behind the stegosaur's armor.

There was nothing. Nothing alive and moving. Only the torn and half-plucked carcass of a bird, which looked as though it had been gnawed by some small animal.

· · · · ·

It was halfway down the hill—hill in Western terminology, though anywhere east of the Rockies it would have been considered a sizable mountain—that Tallant again had a glimpse of a moving figure.

But this was no trick of a nervous eye. It was not little nor thin nor brown. It was tall and broad and wore a loud red-and-black lumberjacket. It bellowed, "Tallant!" in a cheerful and lusty voice.

Tallant drew near the man and said, "Hello." He paused and added, "Your advantage, I think."

The man grinned broadly. "Don't know me? Well, I daresay ten years is a long time, and the California desert ain't exactly the Chinese rice fields. How's stuff? Still loaded down with Secrets for Sale?"

Tallant tried desperately not to react to that shot, but he stiffened a little. "Sorry. The prospector getup had me fooled. Good to see you again, Morgan."

The man's eyes narrowed. "Just having my little joke," he smiled. "Of course you wouldn't have no serious reason for mountain climbing around a glider school, now, would you? And you'd kind of need field glasses to keep an eye on the pretty birdies."

"I'm out here for my health." Tallant's voice sounded unnatural even to himself.

"Sure, sure. You were always in it for your health. And come to think of it, my own health ain't been none too good lately. I've got me a little cabin way to hell-and-gone around here, and I do me a little prospecting now and then. And somehow it just strikes me, Tallant, like maybe I hit a pretty good lode today."

"Nonsense, old man. You can see—"

"I'd sure hate to tell any of them Army men out at the field some of the stories I know about China and the kind of men I used to know out there. Wouldn't cotton to them stories a bit, the Army wouldn't. But if I was to have a drink too many and get talkative-like—"

"Tell you what," Tallant suggested brusquely. "It's getting near sunset now, and my tent's chilly for evening visits. But drop around in the morning and we'll talk over old times. Is rum still your tipple?"

"Sure is. Kind of expensive now, you understand—"

"I'll lay some in. You can find the place easily—over by the oasis. And we … we might be able to talk about your prospecting, too."

Tallant's thin lips were set firm as he walked away.

· · · · ·

The bartender opened a bottle of beer and plunked it on the damp-circled counter. "That'll be twenty cents," he said, then added as an afterthought, "Want a glass? Sometimes tourists do."

Tallant looked at the others sitting at the counter—the red-eyed and unshaven old man, the flight sergeant unhappily drinking a Coke—it was after Army hours for beer—the young man with the long, dirty trench coat and the pipe and the new-looking brown beard—and saw no glasses. "I guess I won't be a tourist," he decided.

This was the first time Tallant had had a chance to visit the Desert Sport Spot. It was as well to be seen around in a community. Otherwise people begin to wonder and say, "Who is that man out by the oasis?  Why don't you ever see him anyplace?"

The Sport Spot was quiet that night. The four of them at the counter, two Army boys shooting pool, and a half-dozen of the local men gathered about a round poker table, soberly and wordlessly cleaning a construction worker whose mind seemed more on his beer than on his cards.

"You just passing through?" the bartender asked sociably.

Tallant shook his head. "I'm moving in. When the Army turned me down for my lungs, I decided I better do something about it. Heard so much about your climate here I thought I might as well try it."

"Sure thing," the bartender nodded. "You take up until they started this glider school, just about every other guy you meet in the desert is here for his health. Me, I had sinus, and look at me now. It's the air."

Tallant breathed the atmosphere of smoke and beer suds, but did not smile.

"I'm looking forward to miracles."

"You'll get 'em. Whereabouts you staying?"

"Over that way a bit. The agent called it 'the old Carker place.'"

Tallant felt the curious listening silence and frowned. The bartender had started to speak and then thought better of it. The young man with the beard looked at him oddly. The old man fixed him with red and watery eyes that had a faded glint of pity in them. For a moment, Tallant felt a chill that had nothing to do with the night air of the desert.

The old man drank his beer in quick gulps and frowned as though trying to formulate a sentence. At last he wiped beer from his bristly lips and said, "You wasn't aiming to stay in the adobe, was you?"

"No. It's pretty much gone to pieces. Easier to rig me up a little shack than try to make the adobe livable.  Meanwhile, I've got a tent."

"That's all right, then, mebbe. But mind you don't go poking around that there adobe."

"I don't think I'm apt to. But why not? Want another beer?"

The old man shook his head reluctantly and slid from his stool to the ground. "No thanks. I don't rightly know as I—"

"Yes?"

"Nothing. Thanks all the same." He turned and shuffled to the door.

Tallant smiled. "But why should I stay clear of the adobe?" he called after him.

The old man mumbled.

"What?"

"They bite," said the old man, and went out shivering into the night.

· · · · ·

The bartender was back at his post. "I'm glad he didn't take that beer you offered him," he said. "Along about this time in the evening I have to stop serving him. For once he had the sense to quit."

Tallant pushed his own empty bottle forward. "I hope I didn't frighten him away."

"Frighten? Well, mister, I think maybe that's just what you did do. He didn't want beer that sort of came, like you might say, from the old Carker place. Some of the old-timers here, they're funny that way."

Tallant grinned. "Is it haunted?"

"Not what you'd call haunted, no. No ghosts there that I ever heard of." He wiped the counter with a cloth and seemed to wipe the subject away with it.

The flight sergeant pushed his Coke bottle away, hunted in his pocket for nickels, and went over to the pinball machine. The young man with the beard slid onto his vacant stool. "Hope old Jake didn't worry you," he said.

Tallant laughed. "I suppose every town has its deserted homestead with a grisly tradition. But this sounds a little different. No ghosts, and they bite. Do you know anything about it?"

"A little," the young man said seriously. "A little. Just enough to—"

Tallant was curious. "Have one on me and tell me about it."

The flight sergeant swore bitterly at the machine.

Beer gurgled through the beard. "You see," the young man began, "the desert's so big you can't be alone in it. Ever notice that? It's all empty and there's nothing in sight but, there's always something moving over there where you can't quite see it. It's something very dry and thin and brown, only when you look around it isn't there. Ever see it?"

"Optical fatigue—" Tallant began.

"Sure. I know. Every man to his own legend. There isn't a tribe of Indians hasn't got some way of accounting for it. You've heard of the Watchers? And the twentieth-century white man comes along, and it's optical fatigue. Only in the nineteenth century things weren't quite the same, and there were the Carkers."

"You've got a special localized legend?"

"Call it that. You glimpse things out of the corner of your mind, same like you glimpse lean, dry things out of the corner of your eye. You encase 'em in solid circumstance and they're not so bad. That is known as the Growth of Legend. The Folk Mind in Action. You take the Carkers and the things you don't quite see and you put 'em together. And they bite."

Tallant wondered how long that beard had been absorbing beer.

"And what were the Carkers?" he prompted politely.

"Ever hear of Sawney Bean? Scotland—reign of James First, or maybe the Sixth, though I think Roughead's wrong on that for once. Or let's be more modern—ever hear of the Benders? Kansas in the 1870s? No? Ever hear of Procrustes? Or Polyphemus? Or Fee-fi-fo-fum?

"There are ogres, you know. They're no legend. They're fact, they are. The inn where nine guests left for every ten that arrived, the mountain cabin that sheltered travelers from the snow, sheltered them all winter till the melting spring uncovered their bones, the lonely stretches of road that so many passengers traveled halfway—you'll find 'em everywhere. All over Europe and pretty much in this country too before communications became what they are. Profitable business. And it wasn't just the profit. The Benders made money, sure; but that wasn't why they killed all their victims as carefully as a kosher butcher.  Sawney Bean got so he didn't give a damn about the profit; he just needed to lay in more meat for the winter.  And think of the chances you'd have at an oasis."

"So these Carkers of yours were, as you call them, ogres?"

"Carkers, ogres—maybe they were Benders. The Benders were never seen alive, you know, after the townspeople found those curiously butchered bones. There's a rumor they got this far west. And the time checks pretty well. There wasn't any town here in the eighties. Just a couple of Indian families, last of a dying tribe living on at the oasis. They vanished after the Carkers moved in. That's not so surprising. The white race is a sort of super-ogre, anyway. Nobody worried about them. But they used to worry about why so many travelers never got across this stretch of desert. The travelers used to stop over at the Carkers', you see, and somehow they often never got any farther. Their wagons'd be found maybe fifteen miles beyond in the desert. Sometimes they found the bones, too, parched and white. Gnawed-looking, they said sometimes."

"And nobody ever did anything about these Carkers?"

"Oh, sure. We didn't have King James Sixth—only I still think it was First—to ride up on a great white horse for a gesture, but twice Army detachments came here and wiped them all out."

"Twice? One wiping-out would do for most families." Tallant smiled.

"Uh-uh. That was no slip. They wiped out the Carkers twice because, you see, once didn't do any good.  They wiped 'em out and still travelers vanished and still there were gnawed bones. So they wiped 'em out again. After that they gave up, and people detoured the oasis. It made a longer, harder trip, but after all—"

Tallant laughed. "You mean to say these Carkers were immortal?"

"I don't know about immortal. They somehow just didn't die very easy. Maybe, if they were the Benders—and I sort of like to think they were—they learned a little more about what they were doing out here on the desert. Maybe they put together what the Indians knew and what they knew, and it worked. Maybe Whatever they made their sacrifices to understood them better out here than in Kansas."

"And what's become of them—aside from seeing them out of the corner of the eye?"

"There's forty years between the last of the Carker history and this new settlement at the oasis. And people won't talk much about what they learned here in the first year or so. Only that they stay away from that old Carker adobe. They tell some stories—The priest says he was sitting in the confessional one hot Saturday afternoon and thought he heard a penitent come in. He waited a long time and finally lifted the gauze to see was anybody there. Something was there, and it bit. He's got three fingers on his right hand now, which looks funny as hell when he gives a benediction."

Tallant pushed their two bottles toward the bartender. "That yarn, my young friend, has earned another beer. How about it, bartender? Is he always cheerful like this, or is this just something he's improvised for my benefit?"

The bartender set out the fresh bottles with great solemnity. "Me, I wouldn't've told you all that myself, but then, he's a stranger too and maybe don't feel the same way we do here. For him it's just a story."

"It's more comfortable that way," said the young man with the beard, and he took a firm hold on his beer bottle.

"But as long as you've heard that much," said the bartender, "you might as well—It was last winter, when we had that cold spell. You heard funny stories that winter. Wolves coming into prospectors' cabins just to warm up. Well, business wasn't so good. We don't have a license for hard liquor, and the boys don't drink much beer when it's that cold. But they used to come in anyway because we've got that big oil burner.

"So one night there's a bunch of 'em in here—old Jake was here, that you was talking to, and his dog Jigger—and I think I hear somebody else come in. The door creaks a little. But I don't see nobody, and the poker game's going, and we're talking just like we're talking now, and all of a sudden I hear a kind of a noise like crack! over there in that corner behind the juke box near the burner.

"I go over to see what goes and it gets away before I can see it very good. But it was little and thin and it didn't have no clothes on. It must've been damned cold that winter."

"And what was the cracking noise?" Tallant asked dutifully.

"That? That was a bone. It must've strangled Jigger without any noise. He was a little dog. It ate most of the flesh, and if it hadn't cracked the bone for the marrow it could've finished. You can still see the spots over there. The blood never did come out."

There had been silence all through the story. Now suddenly all hell broke loose. The flight sergeant let out a splendid yell and began pointing excitedly at the pinball machine and yelling for his payoff. The construction worker dramatically deserted the poker game, knocking his chair over in the process, and announced lugubriously that these guys here had their own rules, see?

Any atmosphere of Carker-inspired horror was dissipated. Tallant whistled as he walked over to put a nickel in the jukebox. He glanced casually at the floor. Yes, there was a stain, for what that was worth.

He smiled cheerfully and felt rather grateful to the Carkers. They were going to solve his blackmail problem very neatly.

· · · · ·

Tallant dreamed of power that night. It was a common dream with him. He was a ruler of the new American Corporate State that would follow the war; and he said to this man, "Come!" and he came, and to that man, "Go!" and he went, and to his servants, "Do this!" and they did it.

Then the young man with the beard was standing before him, and the dirty trench coat was like the robes of an ancient prophet. And the young man said, "You see yourself riding high, don't you? Riding the crest of the wave—the Wave of the Future, you call it. But there's a deep, dark undertow that you don't see, and that's a part of the Past. And the Present and even your Future. There is evil in mankind that is blacker even than your evil, and infinitely more ancient."

And there was something in the shadows behind the young man, something little and lean and brown.

· · · · ·

Tallant's dream did not disturb him the following morning. Nor did the thought of the approaching interview with Morgan. He fried his bacon and eggs and devoured them cheerfully. The wind had died down for a change, and the sun was warm enough so that he could strip to the waist while he cleared land for his shack. His machete glinted brilliantly as it swung through the air and struck at the roots of the brush.

When Morgan arrived his full face was red and sweating.

"It's cool over there in the shade of the adobe," Tallant suggested. "We'll be more comfortable." And in the comfortable shade of the adobe he swung the machete once and clove Morgan's full, red, sweating face in two.

It was so simple. It took less effort than uprooting a clump of sage. And it was so safe. Morgan lived in a cabin way to hell-and-gone and was often away on prospecting trips. No one would notice his absence for months, if then. No one had any reason to connect him with Tallant. And no one in Oasis would hunt for him in the Carker-haunted adobe.

The body was heavy, and the blood dripped warm on Tallant's bare skin. With relief he dumped what had been Morgan on the floor of the adobe. There were no boards, no flooring. Just the earth. Hard, but not too hard to dig a grave in. And no one was likely to come poking around in this taboo territory to notice the grave. Let a year or so go by, and the grave and the bones it contained would be attributed to the Carkers.

The corner of Tallant's eye bothered him again. Deliberately he looked about the interior of the adobe.

The little furniture was crude and heavy, with no attempt to smooth down the strokes of the ax. It was held together with wooden pegs or half-rotted thongs. There were age-old cinders in the fireplace, and the dusty shards of a cooking jar among them.  And there was a deeply hollowed stone, covered with stains that might have been rust, if stone rusted.

Behind it was a tiny figure, clumsily fashioned of clay and sticks. It was something like a man and something like a lizard, and something like the things that flit across the corner of the eye.

Curious now, Tallant peered about further. He penetrated to the corner that the one unglassed window lighted but dimly. And there he let out a little choking gasp. For a moment he was rigid with horror. Then he smiled and all but laughed aloud.

This explained everything. Some curious individual had seen this, and from his accounts had burgeoned the whole legend. The Carkers had indeed learned something from the Indians, but that secret was the art of embalming.

It was a perfect mummy. Either the Indian art had shrunk bodies, or this was that of a ten-year-old boy.

There was no flesh. Only skin and bone and taut, dry stretches of tendon between. The eyelids were closed; the sockets looked hollow under them. The nose was sunken and almost lost. The scant lips were tightly curled back from the long and very white teeth, which stood forth all the more brilliantly against the deep-brown skin.

It was a curious little trove, this mummy. Tallant was already calculating the chances for raising a decent sum of money from an interested anthropologist—murder can produce such delightfully profitable chance by-products—when he noticed the infinitesimal rise and fall of the chest.

The Carker was not dead. It was sleeping.

Tallant did not dare stop to think beyond the instant. This was no time to pause to consider if such things were possible in a well-ordered world. It was no time to reflect on the disposal of the body of Morgan. It was a time to snatch up your machete and get out of there.

But in the doorway he halted. There, coming across the desert, heading for the adobe, clearly seen this time, was another—a female.

He made an involuntary gesture of indecision. The blade of the machete clanged ringingly against the adobe wall. He heard the dry shuffling of a roused sleeper behind him.

He turned fully now, the machete raised. Dispose of this nearer one first, then face the female. There was no room even for terror in his thoughts, only for action.

The lean brown shape darted at him avidly. He moved lightly away and stood poised for its second charge. It shot forward again. He took one step back, machete arm raised, and fell headlong over the corpse of Morgan. Before he could rise, the thin thing was upon him. Its sharp teeth had met through the palm of his left hand.

The machete moved swiftly. The thin dry body fell headless to the floor. There was no blood.

The grip of the teeth did not relax. Pain coursed up Tallant's left arm—a sharper, more bitter pain than you would expect from the bite. Almost as though venom—

He dropped the machete, and his strong white hand plucked and twisted at the dry brown lips. The teeth stayed clenched, unrelaxing. He sat bracing his back against the wall and gripped the head between his knees. He pulled. His flesh ripped, and blood formed dusty clots on the dirt floor. But the bite was firm.

His world had become reduced now to that hand and that head. Nothing outside mattered. He must free himself. He raised his aching arm to his face, and with his own teeth he tore at that unrelenting grip. The dry flesh crumbled away in desert dust, but the teeth were locked fast. He tore his lip against their white keenness, and tasted in his mouth the sweetness of blood and something else.

He staggered to his feet again. He knew what he must do. Later he could use cautery, a tourniquet, see a doctor with a story about a Gila monster—their heads grip too, don't they?—but he knew what he must do now.

He raised the machete and struck again.

His white hand lay on the brown floor, gripped by the white teeth in the brown face. He propped himself against the adobe wall, momentarily unable to move. His open wrist hung over the deeply hollowed stone. His blood and his strength and his life poured out before the little figure of sticks and clay.

The female stood in the doorway now, the sun bright on her thin brownness. She did not move. He knew that she was waiting for the hollow stone to fill.

The End

"An Occurrence at Owl Creek Bridge" by Ambrose Bierce

When I taught Early American literature (as well as 20th century), I mentioned Ambrose Bierce, especially as someone who was influenced by E.A. Poe, and then as one of the literary godfathers of Stephen King.  This story was one that grabs our imagination and plays with it: the theme of "never give up hope" is strung along until the end.

Oops. Bad pun.

Watch for the way that Bierce used a change in tense; he shifts from past to present.  Why was this effective, especially toward the ending?  How does Bierce use the change in descriptive sensory awareness to create tension? Regarding the choice of the civilian: did he know that his decision would be risky? Was he willing to accept them? Was the outcome (effect) in accordance with those risks? Was it "fair" to him according to that choice?

And I've included a short film by one of the masters of television horror stories, the late Rod Serling. How does the soundtrack add to the tension (i.e., the drum roll)?

An Occurrence at Owl Creek Bridge

by Ambrose Bierce

A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners--two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff.

At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest--a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the centre of the bridge; they merely blockaded the two ends of the foot planking that traversed it.

Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground--a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between bridge and fort were the spectators--a single company of infantry in line, at "parade rest," the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the centre of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him.

In the code of military etiquette, silence and fixity are forms of deference. 

The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good--a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock-coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.

The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties.

The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream! 

He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift--all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith's hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by--it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and--he knew not why--apprehension. The intervals of silence grew progressively longer; the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch. 

He unclosed his eyes and saw again the water below him. "If I could free my hands," he thought, "I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader's farthest advance." 

As these thoughts, which have here to be set down in words, were flashed into the doomed man's brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.

II

Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause.

Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war. 

One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.

"The Yanks are repairing the railroads," said the man, "and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order." 

"How far is it to the Owl Creek bridge?" Farquhar asked.
     "About thirty miles."
"Is there no force on this side the creek?"
      "Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge." 
     "Suppose a man--a civilian and student of hanging--should elude the picket post and perhaps get the better of the sentinel," said Farquhar, smiling, "what could he accomplish?"
    The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow."

The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout. 

III

As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened--ages later, it seemed to him--by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fullness--of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum.

Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud plash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!--the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface--knew it with reluctance, for he was now very comfortable. "To be hanged and drowned," he thought, "that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair." 

He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!--what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water-snake. "Put it back, put it back!" He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an unsupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek! 

He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf--saw the very insects upon them: the locusts, the brilliant-bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon-flies' wings, the strokes of the water-spiders' legs, like oars which had lifted their boat--all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water. 

He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic. 

Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a gray eye and remembered having read that gray eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed. 

A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieutenant on shore was taking a part in the morning's work. How coldly and pitilessly--with what an even, calm intonation, presaging, and enforcing tranquillity in the men--with what accurately measured intervals fell those cruel words: 

"Attention, company! ...Shoulder arms! ...Ready! ...Aim! ...Fire!"
Farquhar dived--dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck: it was uncomfortably warm and he snatched it out. 

As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream--nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually. 

The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning. 

"The officer," he reasoned, "will not make that martinet's error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!" 

An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond. 

"They will not do that again," he thought; "the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me--the report arrives too late; it lags behind the missile. That is a good gun."

Suddenly he felt himself whirled round and round--spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men--all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color--that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream--the southern bank--and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of Aeolian harps. He had no wish to perfect his escape--was content to remain in that enchanting spot until retaken.

A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest. 

All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodsman's road. He had not known that he lived in so wild a region. There was something uncanny in the revelation. 

By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. 

Overhead, as he looked up through this rift in the wood, shone great golden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which--once, twice, and again--he distinctly heard whispers in an unknown tongue.

His neck was in pain and lifting his hand to it he found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue--he could no longer feel the roadway beneath his feet!

Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene --perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down form the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her, he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon--then all is darkness and silence! 

Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.