To welcome old and new students and those in pursuit of the finer things in education, values, philosophy, ethics, and good ol' classroom ideas...the oldest story in the history of humanity: a man wants a woman. And he will do anything to win her!...even if it means...getting "the other woman" out of his life!
Well, O. Henry had a way with words...so this is his tale to tell...
of a "Girl" (from the book Whirligigs).
Therefore, the question is: how does O. Henry use his sense of phrasing, imagery, setting, and pace to show the effective use of pursuit as a means of cause-and-effect for a "Girl." But one warning: as always, when one gets what one wants, there's always a price to pay.
In this case, it's not the antagonist (the girl).
No.
The price that's going to be paid is the way you thought the story would play out for resolution. But after all, no one said the results of the effect had to be what you expected. And that's your job: tell me how and why this is so.
In gilt letters on the ground glass of the door of room No. 962 were the words: "Robbins & Hartley, Brokers." The clerks had gone. It was past five, and with the solid tramp of a drove of prize Percherons, scrub- women were invading the cloud-capped twenty-story office building. A puff of red-hot air flavoured with lemon peelings, soft-coal smoke and train oil came in through the half-open windows. Robbins, fifty, something of an overweight beau and addicted to first nights and hotel palm-rooms, pretended to be envious of his partner's commuter's joys.
Therefore, the question is: how does O. Henry use his sense of phrasing, imagery, setting, and pace to show the effective use of pursuit as a means of cause-and-effect for a "Girl." But one warning: as always, when one gets what one wants, there's always a price to pay.
In this case, it's not the antagonist (the girl).
No.
The price that's going to be paid is the way you thought the story would play out for resolution. But after all, no one said the results of the effect had to be what you expected. And that's your job: tell me how and why this is so.
"Girl"
In gilt letters on the ground glass of the door of room No. 962 were the words: "Robbins & Hartley, Brokers." The clerks had gone. It was past five, and with the solid tramp of a drove of prize Percherons, scrub- women were invading the cloud-capped twenty-story office building. A puff of red-hot air flavoured with lemon peelings, soft-coal smoke and train oil came in through the half-open windows. Robbins, fifty, something of an overweight beau and addicted to first nights and hotel palm-rooms, pretended to be envious of his partner's commuter's joys.
"Going to be something doing in the humidity line to-night," he said. "You out-of-town chaps will be the people, with your katydids and moonlight and long drinks and things out on the front porch." Hartley, twenty-nine, serious, thin, good-looking, nervous, sighed and frowned a little. "Yes," said he, "we always have cool nights in Floralhurst, especially in the winter."
A man with an air of mystery came in the door and went up to Hartley. "I've found where she lives," he announced in the portentous half-whisper that makes the detective at work a marked being to his fellow men. Hartley scowled him into a state of dramatic silence and quietude. But by that time, Robbins had got his cane and set his tie pin to his liking, and with a debonair nod went out to his metropolitan amusements.
Here is the address," said the detective in a natural tone, being deprived of an audience to foil. Hartley took the leaf torn out of the sleuth's dingy memorandum book. On it were penciled the words "Vivienne Arlington, No. 341 East **th Street, care of Mrs. McComus."
"Moved there a week ago," said the detective. "Now, if you want any shadowing done, Mr. Hartley, I can do you as fine a job in that line as anybody in the city. It will be only $7 a day and expenses. Can send in a daily typewritten report, covering -- "
"You needn't go on," interrupted the broker. "It isn't a case of that kind. I merely wanted the address. How much shall I pay you?"
"One day's work," said the sleuth. "A tenner will cover it."
Hartley paid the man and dismissed him. Then he left the office and boarded a Broadway car. At the first large crosstown artery of travel he took an eastbound car that deposited him in a decaying avenue, whose ancient structures once sheltered the pride and glory of the town. Walking a few squares, he came to the building that he sought. It was a new flathouse, bearing carved upon its cheap stone portal its sonorous name, "The Vallambrosa." Fire-escapes zigzagged down its front -- these laden with household goods, drying clothes, and squalling children evicted by the midsummer heat. Here and there a pale rubber plant peeped from the miscellaneous mass, as if wondering to what kingdom it belonged -- vegetable, animal or artificial.
Hartley pressed the "McComus" button. The door latch clicked spasmodically -- now hospitably, now doubt- fully, as though in anxiety whether it might be admitting friends or duns. Hartley entered and began to climb the stairs after the manner of those who seek their friends in city flat-houses -- which is the manner of a boy who climbs an apple-tree, stopping when he comes upon what he wants.
On the fourth floor he saw Vivienne standing in an open door. She invited him inside, with a nod and a bright, genuine smile. She placed a chair for him near a window, and poised herself gracefully upon the edge of one of those Jekyll-and-Hyde pieces of furniture that are masked and mysteriously hooded, unguessable bulks by day and inquisitorial racks of torture by night. Hartley cast a quick, critical, appreciative glance at her before speaking, and told himself that his taste in choosing had been flawless.
Vivienne was about twenty-one. She was of the purest Saxon type. Her hair was a ruddy golden, each filament of the neatly gathered mass shining with its own lustre and delicate graduation of colour. In perfect harmony were her ivory-clear complexion and deep sea-blue eyes that looked upon the world with the ingenuous calmness of a mermaid or the pixie of an undiscovered mountain stream. Her frame was strong and yet possessed the grace of absolute naturalness. And yet with all her Northern clearness and frankness of line and colouring, there seemed to be something of the tropics in her -- something of languor in the droop of her pose, of love of ease in her ingenious complacency of satisfaction and comfort in the mere act of breathing -- something that seemed to claim for her a right as a perfect work of nature to exist and be admired equally with a rare flower or some beautiful, milk-white dove among its sober-hued companions.
She was dressed in a white waist and dark skirt - that discreet masquerade of goose-girl and duchess. "Vivienne," said Hartley, looking at her pleadingly, "you did not answer my last letter. It was only by nearly a week's search that I found where you had moved to. Why have you kept me in suspense when you knew how anxiously I was waiting to see you and hear from you?"
The girl looked out the window dreamily.
"Mr. Hartley," she said hesitatingly, "I hardly know what to say to you. I realize all the advantages of your offer, and sometimes I feel sure that I could be contented with you. But, again, I am doubtful. I was born a city girl, and I am afraid to bind myself to a quiet sub- urban life."
"My dear girl," said Hartley, ardently, "have I not told you that you shall have everything that your heart can desire that is in my power to give you? You shall come to the city for the theatres, for shopping and to visit your friends as often as you care to. You can trust me, can you not?"
"To the fullest," she said, turning her frank eyes upon him with a smile. "I know you are the kindest of men, and that the girl you get will be a lucky one. I learned all about you when I was at the Montgomerys'."
"Ah!" exclaimed Hartley, with a tender, reminiscent light in his eye; "I remember well the evening I first saw you at the Montgomerys'. Mrs. Montgomery was sounding your praises to me all the evening. And she hardly did you justice. I shall never forget that supper. Come, Vivienne, promise me. I want you. You'll never regret coming with me. No one else will ever give you as pleasant a home."
The girl sighed and looked down at her folded hands. A sudden jealous suspicion seized Hartley.
"Tell me, Vivienne," he asked, regarding her keenly, "is there another -- is there some one else?" A rosy flush crept slowly over her fair cheeks and neck.
"You shouldn't ask that, Mr. Hartley," she said, in some confusion. "But I will tell you. There is one other -- but he has no right -- I have promised him nothing."
"His name?" demanded Hartley, sternly.
"Townsend."
"Townsend."
"Rafford Townsend!" exclaimed Hartley, with a grim tightening of his jaw. "How did that man come to know you? After all I've done for him -- "
"His auto has just stopped below," said Vivienne, bending over the window-sill. "He's coming for his answer. Oh I don't know what to do!" The bell in the flat kitchen whirred. Vivienne hurried to press the latch button.
"Stay here," said Hartley. "I will meet him in the hall."
"Stay here," said Hartley. "I will meet him in the hall."
Townsend, looking like a Spanish grandee in his light tweeds, Panama hat and curling black mustache, came up the stairs three at a time. He stopped at sight of Hartley and looked foolish.
"Go back," said Hartley, firmly, pointing downstairs with his forefinger.
"Hullo!" said Townsend, feigning surprise. "What's up? What are you doing here, old man?"
"Go back," repeated Hartley, inflexibly. "The Law of the Jungle. Do you want the Pack to tear you in pieces? The kill is mine."
"I came here to see a plumber about the bathroom connections," said Townsend, bravely.
"All right," said Hartley. "You shall have that lying plaster to stick upon your traitorous soul. But, go back." Townsend went downstairs, leaving a bitter word to be wafted up the draught of the staircase. Hartley went back to his wooing.
"Vivienne," said he, masterfully. "I have got to have you. I will take no more refusals or dilly-dallying."
"When do you want me?" she asked.
"Now. As soon as you can get ready."
"Now. As soon as you can get ready."
She stood calmly before him and looked him in the eye.
"Do you think for one moment," she said, "that I would enter your home while Héloise is there?" Hartley cringed as if from an unexpected blow. He folded his arms and paced the carpet once or twice.
"She shall go," he declared grimly. Drops stood upon his brow. "Why should I let that woman make my life miserable? Never have I seen one day of freedom from trouble since I have known her. You are right, Vivienne. Héloise must be sent away before I can take you home. But she shall go. I have decided. I will turn her from my doors."
"When will you do this?" asked the girl.
Hartley clinched his teeth and bent his brows together.
Hartley clinched his teeth and bent his brows together.
"To-night," he said, resolutely. "I will send her away to-night."
"Then," said Vivienne, "my answer is 'yes.' Come for me when you will."
She looked into his eyes with a sweet, sincere light in her own. Hartley could scarcely believe that her surrender was true, it was so swift and complete.
"Promise me," he said feelingly, "on your word and honour."
"Promise me," he said feelingly, "on your word and honour."
"On my word and honour," repeated Vivienne, softly.
At the door he turned and gazed at her happily, but yet as one who scarcely trusts the foundations of his joy. "To-morrow," he said, with a forefinger of reminder uplifted.
"To-morrow," she repeated with a smile of truth and candour.
In an hour and forty minutes Hartley stepped off the train at Floralhurst. A brisk walk of ten minutes brought him to the gate of a handsome two-story cottage set upon a wide and well-tended lawn. Halfway to the house he was met by a woman with jet-black braided hair and flowing white summer gown, who half strangled him without apparent cause. When they stepped into the hall she said: "Mamma's here. The auto is coming for her in half an hour. She came to dinner, but there's no dinner."
In an hour and forty minutes Hartley stepped off the train at Floralhurst. A brisk walk of ten minutes brought him to the gate of a handsome two-story cottage set upon a wide and well-tended lawn. Halfway to the house he was met by a woman with jet-black braided hair and flowing white summer gown, who half strangled him without apparent cause. When they stepped into the hall she said: "Mamma's here. The auto is coming for her in half an hour. She came to dinner, but there's no dinner."
"I've something to tell you," said Hartley. "I thought to break it to you gently, but since your mother is here we may as well out with it." He stooped and whispered something at her ear.
His wife screamed.
Her mother came running into the hall.
The dark-haired woman screamed again- the joyful scream of a well-beloved and petted woman.
Her mother came running into the hall.
The dark-haired woman screamed again- the joyful scream of a well-beloved and petted woman.
"Oh, mamma!" she cried ecstatically, "what do you think? Vivienne is coming to cook for us! She is the one that stayed with the Montgomerys a whole year. And now, Billy, dear," she concluded, "you must go right down into the kitchen and discharge Héloise. She has been drunk again the whole day long."
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